August 24, 2010

The Gaslight Journal is Done

Begun back sometime in 2001, this book was originally a fluke of an idea… [...]

August 21, 2010

An Invitation to Writers (All Countries/All Languages)

Our site has viewers from all over the world.  As I have in the past – I invite all writers, from all countries and languages, to become contributors to our site.  It does not matter where you reside – or in what language you want to use to communicate – our purpose for having [...]

August 20, 2010

I Feel So Dirty

Today, I got greedy, and went back for more. Oh, the feeling of sneaking into my browser at 5 a.m. when no one else’s up and looking. Knowing the rest of the world is asleep and you’re sitting there, in your footie pajamas, alone and all sneaky. I had to have one more peek. [...]

August 18, 2010

I’d Like to Thank The Academy…

We’re so focused on failure, that we never prepare ourselves for what to do when it finally works. Maybe that’s the reason some self-sabotage themselves before ever becoming successful. They never prepared themselves mentally for handling the situation when they finally hit it big. And mental preparation is needed for success. Just ask those folks who are busy being successful. But they probably won’t have time to return your call. [...]

August 12, 2010

“Oh! You’re a writer! How exciting. You know, I’ve always wanted to write a book.”

letter-writing header

…I just haven’t had time / didn’t have the willpower or concentration / didn’t think it’d be any good / didn’t know what to write” …


It’s funny, the evolution of a writer. I started writing five years ago, and people kind of smiled and said things like “Oh, that’s nice.” And when I started asking people if they’d like to read it, they usually would make a kind excuse or suggest they didn’t read that genre, whatever it was. I wasn’t offended. That’s how I would have been.

But there were a few who bravely agreed to read what I’d done, and they were apparently * ahem * impressed. I told them I wanted to get better, so would they please tell me what they didn’t like as well as what they liked. They asked me questions about what I’d written, found errors, questioned impossible plotlines … and I surprised myself by being defensive and somewhat belligerent. This was my baby! How could they possibly find anything wrong with it? I folded my arms over my chest, huffed, and continued along the same line, determined to make it work. Continue reading “Oh! You’re a writer! How exciting. You know, I’ve always wanted to write a book.”

August 12, 2010

Worth The Wait

Penguin logo

I read a neat blog article somewhere today about … waiting.

It talked about how a writer spends their days … waiting. They wait for inspiration, they wait for responses from agencies and publishers, they wait for feedback … from anyone.

All painfully true.

But it’s not just writers. It’s people in general. We wait for the bus. We wait for the paycheque (or should), then wait in line to spend it. We wait for the kids to finish swimming lessons. Wait wait wait. Glancing at my watch or calendar, tapping my toes, hurrying so I can wait some more.

But waiting, and thinking about waiting is a waste of time. You can’t control time. But … you can take control of your time. Continue reading Worth The Wait

August 9, 2010

How to Market your Talent if you Cross-Pollinate (some practical guidelines)

This week has been *very* busy for me. The publishing world (I promise, this ties
into acting and other arts.) has changed very quickly with wi-fi books; i.e., Nook, Kindle,
app readers for smart phones, and so now not only is an author faced with
writing on his next upcoming release, but he’s also shouldered the
responsibility for the marketing, publicity, the advertising, and it takes a
lot…of…work. My days with Lupus and Fibromyalgia, are at least
16-hours, all of it writing: my upcoming novel release in the fall, my
blog, and I’m also now contributing author at several sites.

If you create it, they will come. Continue reading How to Market your Talent if you Cross-Pollinate (some practical guidelines)

August 7, 2010

I should’ve been the one to paint the Sistine Chapel

I’d like to think it was because at that moment in time, she didn’t see little old me from the dairy farm with no money–she saw Carla René, the brilliant, undiscovered painter who should’ve been the one to paint the Sistine Chapel instead of that deadbeat, Michelangelo. [...]

August 6, 2010

Disclipline is a Bitch

Once or twice this week I was able to sneak under Discipline’s radar. I got a lot done! I rent a room in my landlady’s home, so while she’s been on vacation this week, I have been keeper-of-the-canine, and with him being a German Shepard/Husky mix, he’s required a lot of my attention. I’ve also cooked a few good meals for myself, and came up with “DJ Squeak,” her cat’s new rap name. So you see, it wasn’t all fun and games. But, discipline always finds me and drags me back. [...]

August 5, 2010

Conflict! I need more conflict!

It’s amazing how topics can just hit ya without expecting it, y’know? Like now. I was responding to another writer who replied to yesterday’s article, and in that response, I found myself soon delving deep into the topic of adding more conflict to one’s writing, when I realised, I’d probably be better off to expound upon that and put it here for public consumption. Not that it will actually give you consumption, but follow along.

How are you with conflict? My friend, mid-list author J. A. Konrath (who just got published for an interview this week in Newsweek about this whole self-pub craze), was a member of my online writing group before he was anyone with his six-figure advance from Hyperion Press for Whiskey Sour, and when he had time to contribute, he would always hammer one thing: If you’re having trouble with your piece, go back to conflict. And he was right. Conflict is inherent in everything we touch, see and do. So why do we avoid it in story-telling? Maybe because we’re afraid of it. How often do we avoid it in real life? I know in private, when I get behind the wheel of a car, suddenly I’m possessed with Turret’s Syndrome, but when I’m sober? Look out! Continue reading Conflict! I need more conflict!

August 3, 2010

Bone-headed sometimes pays off

After ALL of this self-aggrandising I’ve done, you’d think some of it would have paid off a little quicker. I think I broke some rules of etiquette, but here’s what I did: [...]

August 3, 2010

Reader’s Corner: Sandford’s New “Prey” Novel

I’m hooked on John Sandford’s “Prey” novels, featuring the emotionally complex Lucas Davenport, and have several friends who are as well. The latest offering in this series is entitled Storm Prey and is touted as the 20th. The first, Rules of Prey, came out in 1989. That puts him at a book a year, except he’s launched two other series, Kidd and Virgil Flowers and has written a couple others besides. The point is, John Sandford has fallen prey to the New York publishing mill, turning out more and more and, at least for me, satisfying less and less. I’m willing to wager that his manuscripts go from first draft to print, with little if any revision. No time for enriching or embellishing, or working in more complex situations or characterizations, shrieks the publisher – we gotta have a hardcover and at least one paperback on the bestseller lists at all times!

To test my thesis, I recently bought a copy of Rules in a used book store [having collected all of them, then given them to my local library in Holderness, New Hampshire] and re-read it. The writing was scintillating, gripping, a real pleasure to read. By comparison, Storm Prey reads like little more than a good first draft without the rich scene descriptions, characterizations and plot intricacies. Just take a look at the first page of Rules of Prey: Continue reading Reader’s Corner: Sandford’s New “Prey” Novel

August 2, 2010

A new author with an imaginary day-job needs fans to mock her!

I will not puff myself up (except for the lie about implants) to make me seem better than I am. Merely looking at me will convince you of this. So I won’t lie and say I’m not a fresh, new face on the publishing scene. I am. Have you seen my skin?? The real point being, I’m just starting out on this self-publication journey, and instead of blogging ad nauseum about toxic waist (Pun intended), or deforestation, or even the recession, I’ve decided that I’d like to share my pure and raw experiences, both good and hideously disfiguring disappointments, in the blog. I mean, what good am I to keep around if you can’t truly mock me? [...]

August 2, 2010

Reader’s Corner: “The Dream of Perpetual Motion”

The Dream of Perpetual Motion by Dexter Palmer

The title of Dexter Palmer’s debut novel was the first hook for me. The second was ascertaining this was a steampunk novel, a genre for which I have a penchant. And although I got my literary rocks off on the allusion[s] to Shakespeare’s “The Tempest,” [...]

July 15, 2010

The Little Site

The Little Site

by Bob Grant

The Little Site that thought they could,

went online to do some good.

Started out with ups and downs,

got some smiles – got some frowns.

Writers came and writers went,

Some to speak and some to vent.

Limits none on what to post,

Theory was we’d get [...]

July 13, 2010

Weighing Up Traditional Publishing & Ebook Publishing

Weighing Up Traditional Publishing & Ebook Publishing


Robert W. Walker is a graduate of Chicago’s Wells High School, Northwestern University, and the NU’s Graduate Masters in English Education program.  Rob has taught writing in all its permutations (“All writing is creative writing but not all writing sings,” he says.) from composition and developmental to a study of the literary masters to creative and advanced creative writing.  His first novel was one only an arrogant youth could have conceived — a sequel to Huckleberry Finn (now published as Daniel & The Wrongway Railway, Royal Fireworks Press, NY), but his first suspense-techno-thriller-sf-mystery came in 1979, after college, a novel that won no awards entitled SUB-ZERO.
 
In any non-traditional publishing as in ebook publication, there is no such thing as “an advance against royalties”.  In Traditional Publishing as we know, now often termed DTB’s by our younger generations, ie. Dead Tree Books the “advance” has always been there. This is a significant difference. For the older generation, my generation, the first phrase that comes to mind for the author is “an advance against royalties” and what this means is the author gets a lump sum “loan payment” to start work on the process of crafting a book or novel. However, in ebook non-traditional publishing wherein everything is lower case, there are NO advances. In fact, in “non-publishing” as some like to call it, there are a lot of “NO’s” to the traditional model.
However, before we get too far afield, an advance against a royalty of a $100, 000 is a thing of beauty on the surface. No doubt about that. A writer can rejoice. However if it is for four books to be written over four years, that’s pretty much slave wages or $25,000 a year, which if one is independently wealthy makes for nice pen money. Not so with most people who are attempting to make a living (no joke) at writing. Continue reading Weighing Up Traditional Publishing & Ebook Publishing

July 2, 2010

SWI – Total List of Countries visiting SWI over the last 60 days

Visits

4,726

% of Site Total: 100.00%

Pages/Visit
The average number of pages viewed during a visit to your site. Repeated views of a single page are counted.

Pages/Visit

1.72

Site Avg: 1.72 (0.00%)

Avg. Time on Site
The average duration of a visit to your site.

Avg. Time on Site

00:01:50

Site Avg: 00:01:50 (0.00%)

% New Visits
The percentage of visits by people who had never visited your site before.

% New Visits

77.74%

Site Avg: 77.74% (0.00%)

Bounce Rate
The percentage of single-page visits (i.e. visits in which the person left your site from the entrance page).

Bounce Rate

72.79%

Site Avg: 72.79% (0.00%)

Pages/Visit
Avg. Time on Site
% New Visits
Bounce Rate
 
Detail Level:
Country/Territory

Visits
1. 3,476 1.79 00:02:04 75.00% 71.32%
2. 222 1.74 00:01:42 64.41% 59.91%
3. 192 1.55 00:01:38 83.33% 71.35%
4. 129 1.50 00:00:56 94.57% 78.29%
5. 50 1.04 00:00:11 98.00% 96.00%
6. 43 1.30 00:01:06 93.02% 74.42%
7. 40 1.30 00:00:34 92.50% 77.50%
8. 37 2.59 00:02:17 83.78% 83.78%
9. 34 1.59 00:00:56 94.12% 70.59%
10. 28 1.36 00:01:08 75.00% 78.57%
11. 24 1.04 00:00:06 100.00% 95.83%
12. 22 1.32 00:01:12 100.00% 86.36%
13. 20 1.05 00:00:51 45.00% 95.00%
14. 18 1.17 00:00:42 77.78% 83.33%
15. 17 1.18 00:00:21 94.12% 82.35%
16. 17 1.76 00:04:22 52.94% 64.71%
17. 15 1.00 00:00:00 80.00% 100.00%
18. 15 1.60 00:01:22 93.33% 73.33%
19. 15 1.47 00:00:18 100.00% 86.67%
20.

July 2, 2010

SWI – Top 200 Page Views over the last 60 Days

Pageviews

8,131

% of Site Total: 100.00%

Unique Pageviews
The number of visits during which one or more of these pages was viewed.

Unique Pageviews

6,645

% of Site Total: 100.00%

Avg. Time on Page
The average amount of time visitors spent viewing this set of pages or page.

Avg. Time on Page

00:02:33

Site Avg: 00:02:33 (0.00%)

Bounce Rate
The percentage of single page visits resulting from this set of pages or page.

Bounce Rate

72.79%

Site Avg: 72.79% (0.00%)

% Exit
The percentage of site exits that occurred from this set of pages or page.

% Exit

58.12%

Site Avg: 58.12% (0.00%)

$ Index
The average value of this page or set of pages. $Index is (Ecommerce revenue + Total Goal Value) divided by Pageviews for the page(s).

$ Index

$0.00

Site Avg: $0.00 (0.00%)

Unique Pageviews
Avg. Time on Page
Bounce Rate
% Exit
$ Index
  Page Title
None

Pageviews
1. 1,302 780 00:02:06 29.63% 32.03% $0.00
2. 367 291 00:02:55 68.86% 56.95% $0.00
3. 302 287 00:04:50 90.94% 88.41% $0.00
4. 186 129 00:01:27 54.69% 67.74% $0.00
5. 158 140 00:04:33 84.80% 77.85% $0.00
6. 121 113 00:05:00 92.92% 91.74% $0.00
7. 116 98 00:06:43 66.13% 60.34% $0.00
8. 108 90 00:02:35 81.11% 82.41% $0.00
9. 106 99 00:01:43 91.92% 92.45% $0.00
10. 103 87 00:03:15 83.53% 83.50% $0.00
11. 86 71 00:01:07 69.57% 72.09% $0.00
12. 80 76 00:03:27 94.59% 95.00% $0.00
13. 80 53 00:01:01 21.88% 21.25% $0.00
14. 72 63 00:02:41 93.10% 80.56% $0.00
15. 69 47 00:00:11 65.96% 68.12% $0.00
16. 60 54 00:02:02 92.59% 88.33% $0.00
17. 53 36 00:00:35 50.00% 28.30% $0.00
18. 52 50 00:04:03 93.88% 94.23% $0.00
19. 50 44 00:02:02 66.67% 54.00% $0.00
20.

June 23, 2010

Grandfather and the Deer

 

 

One


 

One morning when grandfather and grandmother were visiting his younger brother on the family farm, grandfather looked out the window and said:

“Look, brother, there is a deer in the yard.”

And grandfather’s younger brother, Yojiro replied; “There are often deer in the yard, brother. Have you been gone so long that you’ve forgotten?”

“No,” said grandfather, “but this deer is different. This deer is leaning against that tree.” Continue reading Grandfather and the Deer

June 23, 2010

Grandfather and the Wolves

 

1

One bright sunny day, a grandfather sat eating his lunch on a long bench when a group of about twelve young wolves came up, sat down on both sides of him and began talking, laughing and enjoying themselves. Since there was not enough room on the bench for all of them, one young wolf remained standing a short distance away, eyeballing the grand-father.

“Grandfather!” the young wolf said, looking sharply at the old man who sat peacefully eating his lunch.

“Yes, I am a grandfather,” replied the old man. Since the young wolf didn’t say anything back, the grandfather went on enjoying his lunch in the sun and ignored the young wolf, who stared at him from where he stood nearby, shifting from one foot to another. Continue reading Grandfather and the Wolves

June 23, 2010

Reader's Corner: Tony Hillerman's (Almost) Last Novel

I recently returned from a week of hiking in Zion National Park and Bryce Canyon, in the Southeast corner of Utah. This area, which also encompasses the Grand Canyon of Arizona, has one of the most unique natural architectures you’ll encounter anywhere in the world, where wind and water have carved the mountains into [...]

June 21, 2010

Reader’s Corner: James Hynes

This is a difficult novel to recommend to you, for several reasons. One, I have trouble remembering the author’s name, James Hynes, and the title, Next. It’s also difficult to recommend because it’s a difficult novel to read and understand. That said, it’s a tour de force and if you like edgy, contemporary literary [...]

June 15, 2010

Reader's Corner: Stieg Larsson

I’m a reader. I LOVE to read. Sometimes I think I’d rather read than…eat. And as a writer, that’s a good thing because a good writer needs to be a good reader. As a matter of fact, I’ve learned some new things about reading fiction as I’ve been working on my novel over the past few years that I never thought about before.

I guess you could say I was a gobbler, reading mostly for entertainment and story. I was like a woman I met recently on an airplane reading James Patterson, who IMHO ranks at the bottom of the bottom-feeder brain-candy writers. [In fact, he doesn't even write most of his novels these days.] Now I read on multiple levels. So I thought I’d start blogging on my reading and share my impressions with you. I read pretty voraciously, so every time I finish a novel [and an occasional work of non-fiction], I’ll write a few comments here.

June 13, 2010

Suffer the children

We mostly have the same script about how childhood should be.

A baby enters as a warm bundle into a sometimes wet world. Especially in Britain, we know that that the sun doesn’t always shine. We are realists.

The growing child should be loved and cherished, and allowed to run free (and safely).

At a certain point, school, friendships and romance flow through to a young adult’s triumphal entry onto the world stage as a happy, balanced and generous human being ready to contribute fully towards society, not least by repeating this cycle.

Sometimes this happens.

Sometimes it doesn’t. Continue reading Suffer the children

June 1, 2010

SWI – Total List of Countries visiting SWI over the last 60 days

Visits

5,990

% of Site Total: 100.00%

Pages/Visit
The average number of pages viewed during a visit to your site. Repeated views of a single page are counted.

Pages/Visit

1.74

Site Avg: 1.74 (0.00%)

Avg. Time on Site
The average duration of a visit to your site.

Avg. Time on Site

00:01:55

Site Avg: 00:01:55 (0.00%)

% New Visits
The percentage of visits by people who had never visited your site before.

% New Visits

76.21%

Site Avg: 76.19% (0.02%)

Bounce Rate
The percentage of single-page visits (i.e. visits in which the person left your site from the entrance page).

Bounce Rate

72.65%

Site Avg: 72.65% (0.00%)

 
Detail Level:
Country/Territory

Visits
Pages/Visit
Avg. Time on Site
% New Visits
Bounce Rate
1. 4,096 1.86 00:02:17 72.46% 69.78%
2. 351 1.65 00:00:56 70.94% 66.95%
3. 333 1.26 00:00:50 82.28% 80.78%
4. 219 1.57 00:01:17 94.52% 79.00%
5. 90 1.20 00:00:49 95.56% 85.56%
6. 63 1.38 00:01:38 96.83% 82.54%
7. 47 3.98 00:09:12 19.15% 12.77%
8. 38 1.55 00:00:49 76.32% 76.32%
9. 38 1.58 00:00:34 89.47% 81.58%
10. 37 1.46 00:00:40 48.65% 89.19%
11. 34 1.50 00:00:52 88.24% 79.41%
12. 27 1.15 00:00:42 100.00% 92.59%
13. 26 1.12 00:00:05 92.31% 92.31%
14. 23 1.17 00:00:09 86.96% 91.30%
15. 23 1.35 00:00:30 95.65% 86.96%
16. 22 1.50 00:02:25 95.45% 72.73%
17. 20 1.90 00:07:09 30.00% 50.00%
18. 18 1.00 00:00:27 100.00% 94.44%
19. 18 1.17 00:00:26 88.89% 88.89%
20. 18 1.06 00:00:02 100.00% 94.44%
21. 18 1.11 00:00:05 94.44% 88.89%
22. 16 1.00 00:00:00 100.00% 100.00%
23. 16 1.56 00:00:42 100.00% 81.25%
24. 14 1.07 00:00:02 100.00% 92.86%
25.

June 1, 2010

SWI – Top 200 Page Views over the last 60 Days

Pageviews

10,394

% of Site Total: 100.00%

Unique Pageviews
The number of visits during which one or more of these pages was viewed.

Unique Pageviews

8,233

% of Site Total: 100.00%

Avg. Time on Page
The average amount of time visitors spent viewing this set of pages or page.

Avg. Time on Page

00:02:36

Site Avg: 00:02:36 (0.00%)

Bounce Rate
The percentage of single page visits resulting from this set of pages or page.

Bounce Rate

72.67%

Site Avg: 72.67% (0.00%)

% Exit
The percentage of site exits that occurred from this set of pages or page.

% Exit

57.62%

Site Avg: 57.62% (0.00%)

$ Index
The average value of this page or set of pages. $Index is (Ecommerce revenue + Total Goal Value) divided by Pageviews for the page(s).

$ Index

$0.00

Site Avg: $0.00 (0.00%)

  Page Title
None

Pageviews
Unique Pageviews
Avg. Time on Page
Bounce Rate
% Exit
$ Index
1. 2,015 1,106 00:02:16 28.50% 31.17% $0.00
2. 382 278 00:01:58 57.36% 68.32% $0.00
3. 259 192 00:02:34 51.85% 49.81% $0.00
4. 235 217 00:03:42 92.12% 85.96% $0.00
5. 142 97 00:01:51 65.59% 57.04% $0.00
6. 137 111 00:01:48 79.28% 79.56% $0.00
7. 132 121 00:01:51 94.07% 88.64% $0.00
8. 117 106 00:02:13 88.00% 68.38% $0.00
9. 108 102 00:04:33 85.71% 80.56% $0.00
10. 80 57 00:04:13 43.24% 45.00% $0.00
11. 79 73 00:02:55 91.30% 86.08% $0.00
12. 77 73 00:03:37 93.06% 94.81% $0.00
13. 76 48 00:00:45 60.42% 63.16% $0.00
14. 76 73 00:05:54 94.52% 94.74% $0.00
15. 69 69 00:00:00 100.00% 100.00% $0.00
16. 68 55 00:06:47 70.37% 51.47% $0.00
17. 67 64 00:03:00 95.31% 94.03% $0.00
18. 64 62 00:08:23 98.39% 96.88% $0.00
19. 58 31 00:01:23 13.33% 20.69% $0.00
20. 57 49 00:06:21 86.67% 54.39% $0.00
21. 57 31 00:01:10 35.29% 24.56% $0.00
22. 56 55 00:03:29 98.18% 98.21% $0.00
23. 54 50 00:06:26 92.00% 92.59% $0.00
24. 54 51 00:02:51 90.48% 81.48% $0.00
25.

May 18, 2010

10 rules for writers from a discerning reader

I read piles of books a year – somewhere between 50 and 100, I would guess.

I pride myself on being a very good and assiduous reader. I concentrate hard on the plot, I try to love all the characters, I suspend copious amounts of disbelief when required to do so, and I tend to devour several books at once just in case I discover some serendipitous synergies between them.

So I think I deserve to get paid for my efforts.

Why should all these authors be adorned with millions of dollars to write their trashy books when I am not paid a single penny for reading them? They write, I read – we have a symbiotic relationship thing going on here. Surely there should be some mutual commercial incentive built into the deal. Continue reading 10 rules for writers from a discerning reader

May 14, 2010

When your friends can’t explain why they voted for Democrats, give them this

Pick Your Reason   10. I voted Democrat because I believe oil companies’ profits of 4% on a gallon of gas are obscene but the government taxing the same gallon of gas at 15% isn’t.

  9. I voted Democrat because I believe the government will do a better job of spending the [...]

May 13, 2010

Review of 'The Blacksmith's Daughter' by Minnette Coleman

Before reading ‘The Blacksmith’s Daughter’, I was already a big fan of Minnette Coleman’s writing. Beneath an eloquent surface rippling lies a keen habit of observation which manifests as both a warmly empathetic understanding of humanity and a careful detailing of its struggles, foibles and follies.

And it was not far into this epic tale that I realised that this was Minnette at her very best.

A black blacksmith from Alabama decides to make a name for himself through hard work, thrift and the relentless acquisition of land in Atlanta, Georgia. He has a loving and mutually supportive relationship with his wife Bira, five beautiful daughters and one son who is handicapped. The household is run according to a strict discipline and timetable, everyone to her or his task. As the daughters grow up, the blacksmith is most particular as to who they consort with and in which order they will eventually marry. Suitors must be educated and on their way to acquiring wealth in order to assure the blacksmith that his daughters will be appropriately provided for in the future.

Then along comes the Piano Man who has been brought up principally in the North and in Europe, who is circumspect and sophisticated, and who is dazzling at the piano and in appearance. Furthermore, he is about to become a professor of music at the local university. This man is a catch worthy of one of the blacksmith’s daughters – of Minnelsa, the eldest – or so the blacksmith decides. Continue reading Review of ‘The Blacksmith’s Daughter’ by Minnette Coleman

May 9, 2010

KISSING FROGS: THE AGENT PERPLEX

KISSING FROGS: THE AGENT PERPLEX                                  By John Joss

“Ability is of no account without opportunity”—Napoléon Buonaparte  ______________________________________________________________________________

 

The great, Oscar-winning screenwriter William (‘Butch Cassidy’) Goldman wrote famously: “Nobody knows anything.” He meant Hollywood green-lighters’ inability to anticipate movie popularity, the confusion and rapid head-lopping surrounding costly disasters deemed certain winners before production and the surprising successes of films predicted to fail, often rejected by dozens of the industry’s supposed finest arbiters of quality and box-office potential.

The same phenomenon applies to every artistic field. The history of art in every form is littered with examples of works now accepted as great that were spurned when they first emerged. Can you say ‘Van Gogh?’ Thought, skill and will, of a high order, always precedes the creation of any worthwhile art but I confine my comments here to the writing of books.

To sell a book of any worth to a major publisher a writer needs a capable, professional agent. On behalf of thousands of writers without an agent or helpful access to one via insider introduction, I will describe what it is like for an outsider to try to gain representation. My background: a writer of 20 books, published in New York (Morrow, fiction; Ballantine, nonfiction), and a freelance photojournalist with a record of achievement in print, broadcast and Internet media worldwide. Continue reading KISSING FROGS: THE AGENT PERPLEX

May 1, 2010

SWI – Total List of Countries visiting SWI over the last 60 days

Visits

12,003

% of Site Total: 100.00%

Pages/Visit
The average number of pages viewed during a visit to your site. Repeated views of a single page are counted.

Pages/Visit

1.82

Site Avg: 1.82 (0.00%)

Avg. Time on Site
The average duration of a visit to your site.

Avg. Time on Site

00:02:07

Site Avg: 00:02:07 (0.00%)

% New Visits
The percentage of visits by people who had never visited your site before.

% New Visits

74.85%

Site Avg: 74.82% (0.03%)

Bounce Rate
The percentage of single-page visits (i.e. visits in which the person left your site from the entrance page).

Bounce Rate

71.47%

Site Avg: 71.47% (0.00%)

 
Detail Level:
Country/Territory

Visits
Pages/Visit
Avg. Time on Site
% New Visits
Bounce Rate
1. 8,149 1.96 00:02:32 70.06% 67.85%
2. 765 1.32 00:00:57 79.48% 80.39%
3. 646 1.70 00:01:17 79.26% 74.46%
4. 403 1.64 00:01:23 95.04% 76.92%
5. 204 1.29 00:00:41 94.61% 87.25%
6. 145 1.35 00:01:17 94.48% 82.76%
7. 110 3.64 00:07:03 21.82% 18.18%
8. 86 2.59 00:02:21 82.56% 53.49%
9. 74 1.51 00:00:41 55.41% 82.43%
10. 67 1.36 00:00:22 94.03% 86.57%
11. 66 2.55 00:03:47 72.73% 68.18%
12. 62 1.16 00:00:30 93.55% 87.10%
13. 61 1.44 00:00:53 96.72% 83.61%
14. 53 1.09 00:00:22 98.11% 94.34%
15. 53 1.32 00:00:33 90.57% 86.79%
16. 47 1.09 00:00:07 91.49% 93.62%
17. 40 2.15 00:07:02 32.50% 47.50%
18. 37 1.49 00:01:50 97.30% 72.97%
19. 37 1.08 00:00:21 100.00% 89.19%
20. 36 1.00 00:00:00 91.67% 100.00%
21. 36 1.14 00:00:20 91.67% 86.11%
22. 32 1.34 00:00:30 100.00% 81.25%
23. 29 1.10 00:00:08 96.55% 89.66%
24. 28 2.14 00:02:03 92.86% 89.29%
25. 27 1.33 00:00:42 85.19% 81.48%
26.
(not set)
26 1.15 00:00:13 96.15% 88.46%
27. 26 1.27 00:00:47 80.77% 84.62%
28. 25 1.36 00:00:11 92.00% 84.00%
29. 23 1.04 00:00:01 100.00% 95.65%
30.

May 1, 2010

SWI – Top 300 Page Views over the last 60 days

Pageviews

21,839

% of Site Total: 100.00%

Unique Pageviews
The number of visits during which one or more of these pages was viewed.

Unique Pageviews

17,139

% of Site Total: 100.00%

Avg. Time on Page
The average amount of time visitors spent viewing this set of pages or page.

Avg. Time on Page

00:02:35

Site Avg: 00:02:35 (0.00%)

Bounce Rate
The percentage of single page visits resulting from this set of pages or page.

Bounce Rate

71.48%

Site Avg: 71.48% (0.00%)

% Exit
The percentage of site exits that occurred from this set of pages or page.

% Exit

54.96%

Site Avg: 54.96% (0.00%)

$ Index
The average value of this page or set of pages. $Index is (Ecommerce revenue + Total Goal Value) divided by Pageviews for the page(s).

$ Index

$0.00

Site Avg: $0.00 (0.00%)

  Page Title
None

Pageviews
Unique Pageviews
Avg. Time on Page
Bounce Rate
% Exit
$ Index
1. 4,265 2,280 00:02:23 26.59% 29.10% $0.00
2. 623 440 00:02:24 51.02% 44.30% $0.00
3. 382 278 00:01:58 57.36% 68.32% $0.00
4. 252 206 00:01:50 80.98% 80.95% $0.00
5. 251 236 00:03:28 93.53% 91.63% $0.00
6. 234 166 00:02:07 65.22% 59.40% $0.00
7. 225 213 00:03:36 92.50% 88.44% $0.00
8. 186 180 00:04:42 95.56% 95.16% $0.00
9. 167 114 00:00:29 64.04% 68.26% $0.00
10. 156 140 00:03:39 90.57% 70.51% $0.00
11. 144 140 00:04:10 94.96% 94.44% $0.00
12. 133 127 00:05:14 96.06% 95.49% $0.00
13. 133 132 00:02:07 96.97% 96.99% $0.00
14. 131 123 00:05:01 89.43% 90.08% $0.00
15. 126 119 00:02:38 95.58% 89.68% $0.00
16. 126 118 00:02:53 91.45% 92.86% $0.00
17. 125 72 00:00:29 52.38% 36.80% $0.00
18. 117 96 00:04:34 66.67% 58.12% $0.00
19. 117 106 00:02:13 88.00% 68.38% $0.00
20. 117 66 00:04:27 58.82% 31.62% $0.00
21. 113 73 00:01:13 25.00% 22.12% $0.00
22. 110 97 00:06:29 88.46% 66.36% $0.00
23. 110 60 00:01:19 34.38% 25.45% $0.00
24. 108 102 00:04:33 85.71% 80.56% $0.00
25. 107 81 00:02:46 54.39% 50.47% $0.00
26. 106 97 00:03:25 90.36% 82.08% $0.00
27. 105 72 00:01:57 0.00% 40.00% $0.00
28. 103 85 00:03:32 56.00% 53.40% $0.00
29. 100 84 00:01:21 76.32% 52.00% $0.00
30.

April 30, 2010

A Measured Voice

Charles Dickens’ novels show the degradation and exploitation of the working poor, but his solution (as pointed out by Orwell) was that those in power would become better people and in their new-found compassion create a safer, healthier environment for the workers. This would extend even to educational opportunities and a chance to move up the ladder, but only so far, never far enough to threaten the existing order.

To counter this “benign ruler” point of view, some people in the early 1900s began to organize the working poor. Those most effective and trustworthy came from that background and took action. The work of Camus and Orwell springs from a real knowledge of poverty (Camus) or being an outsider among the privileged (Orwell). It must be pointed out that Camus took a dim view of Marx, and Orwell was horrified by Stalin’s Communism. But these two writers have held the greatest influence in the minds of Western thinkers who call themselves liberal. Camus went so far as to coin the term “libertarian socialist.” Continue reading A Measured Voice

April 26, 2010

Celegrative Atticus Finch

This year celebrates the 50th anniversary of the publication of “To Kill a Mockingbird”. It is one of my favorite books and is something I watch whenever they show it on television. I learn something new about the story each time I watch it. But most important to me is I learn about strength of character from Atticus Finch. Continue reading Celebrating Atticus Finch

April 26, 2010

Who are your ghosts, and why are they there?

Back in ancient Rome, the Emperor typically had one thought that troubled him more than any other – “Who guards you against your own guards?”, referring to the Imperial Praetorian guards, who either made you or croaked you, according to whim and political calculation (“Quis custodiet ipsos custodes?”).

As authors who ghost write the lives of fictional characters, and the occasional real one, the question that betimes intrigues and troubles us is a matching one: “Who ghost writes for the ghost writers?”

One answer, of course, might be your editor. Some editors have defined the very essence of their clients’ styles. I cannot remember whether it was Raymond Carver or Raymond Chandler whose characteristically terse delivery was largely attributable to the preferences of his editor. It is undeniable, but rarely confessed, that some editors end up rewriting their authors’ books.

My first influence was Lawrence Durrell. Although I wouldn’t claim that he is among my favourite authors, his ‘Alexandrine Quartet’ is right at the top of my favourite books. I could never copy the opulent, sensuous prose style he shared with John Fowles and Truman Capote, but I loved the way that he told the same story from three different angles and then developed it further in the fourth. There is nothing more fascinating than turning characters and storylines inside-out and upside-down in successive books. Continue reading Who are your ghosts, and why are they there?

April 24, 2010

My comments regarding ‘Monday Afternoon’ by Steve Sangirardi

My comments regarding ‘Monday Afternoon’ by Steve Sangirardi

Steve asked that I read his book and it was my pleasure to do so.  If you will read “About Us” on our site http://www.speakwithoutinterruption.com/site/swi-roots/ you will see that I am not at all equipped to present a true book review.  Plus, Steve is a retired English [...]

April 6, 2010

PSYCH 101 for Writers & Their Characters or Pavlov’s Dog for Writers

PSYCH 101 for Writers & Their Characters or Pavlov’s Dog for Writers

                                      by robert w. walker, professor of creative writing 

 

Robert W. Walker’s Psych 101  Questions —  Over time, I have considered these 10 questions that delve into the relationship between psychology and writing the novel, and being a novelist. In other words, what has psychology got to do with imagination and creating whole worlds populated with people out of ink marks on a page? The following questions and answers delve into the psychology of the author himself, and eventually will also ask about the psychology of characters an author creates: This is Psych 101 for Authors and readers interested in the craft and creative impulse. 

Q #1:
As a writer, how does knowledge of writing help you? In short, how did you come across your knowledge of writing novels?

A: Anyone can learn to learn, or rather take steps to learn more about a topic–any topic. I learn best via doing, as in teaching. You teach it, you learn it. The more a writer comes to own knowledge, the higher his or her WQ–writing quotient. Continue reading PSYCH 101 for Writers & Their Characters or Pavlov’s Dog for Writers

April 2, 2010

Announcing the FlameFlower Experimental Writing Contest (tips on winning)

The very first

If you are interested in having your short story, of any length, published, or unpublished, have a chance at exemplifying the genre of Experimental Fiction on a resource site, Experimental Writing, you are welcome to enter this contest, for 8 dollars. The winner will be featured on that site and its intertwined site, FlameFlower, with a permanent link, along with all the links you want to add in the future to the bio, and a photo and commentary will be displayed, as well as commentary by me, Tantra Bensko, the host and judge, owner of the sites. The winner will also be sent 50.00 and a badge to put on a site, and a certificate fit for framing. Continue reading Announcing the FlameFlower Experimental Writing Contest (tips on winning)

March 27, 2010

SWI – Total List of Countries visiting SWI over the last 60 days

Visits

12,320

% of Site Total: 100.00%

Pages/Visit
The average number of pages viewed during a visit to your site. Repeated views of a single page are counted.

Pages/Visit

2.01

Site Avg: 2.01 (0.00%)

Avg. Time on Site
The average duration of a visit to your site.

Avg. Time on Site

00:02:35

Site Avg: 00:02:35 (0.00%)

% New Visits
The percentage of visits by people who had never visited your site before.

% New Visits

71.11%

Site Avg: 71.07% (0.06%)

Bounce Rate
The percentage of single-page visits (i.e. visits in which the person left your site from the entrance page).

Bounce Rate

69.72%

Site Avg: 69.72% (0.00%)

Pages/Visit
Avg. Time on Site
% New Visits
Bounce Rate
 
Detail Level:
Country/Territory

Visits
1. 8,408 2.20 00:03:11 64.01% 64.90%
2. 796 1.44 00:01:01 78.14% 80.90%
3. 562 1.57 00:01:17 91.81% 84.88%
4. 465 1.90 00:01:40 91.40% 74.19%
5. 211 1.45 00:00:38 92.89% 86.26%
6. 164 1.37 00:00:53 93.29% 82.93%
7. 107 3.53 00:05:52 30.84% 28.04%
8. 104 2.78 00:06:41 71.15% 65.38%
9. 93 2.74 00:02:31 74.19% 48.39%
10. 72 1.86 00:01:19 90.28% 83.33%
11. 71 1.27 00:00:57 98.59% 87.32%
12. 68 1.37 00:00:45 92.65% 83.82%
13. 53 1.13 00:00:07 98.11% 90.57%
14. 52 1.06 00:00:14 98.08% 92.31%
15. 52 1.65 00:00:49 69.23% 71.15%
16. 45 1.29 00:00:40 93.33% 84.44%
17. 43 1.14 00:00:17 93.02% 88.37%
18. 40 1.10 00:00:08 100.00% 90.00%
19. 37 1.03 00:00:06 91.89% 97.30%
20. 32 1.12 00:00:34 96.88% 84.38%
21. 32 1.28 00:00:37 100.00% 84.38%
22. 30 1.30 00:00:28 96.67% 86.67%
23. 28 2.11 00:05:39 46.43% 50.00%
24. 27 2.15 00:02:06 92.59% 92.59%
25. 25 1.44 00:00:51 92.00% 84.00%
26. 25 1.08 00:00:17 92.00% 92.00%
27.
(not set)
25 1.28 00:00:17 100.00% 76.00%
28. 25 1.12 00:00:30 44.00% 88.00%
29. 24 1.25 00:00:11 95.83% 87.50%
30. 23 1.26 00:00:38 82.61% 82.61%
Continue reading SWI – Total List of Countries visiting SWI over the last 60 days

March 27, 2010

SWI – Top 300 Page Views over the last 60 days

Pageviews

24,716

% of Site Total: 100.00%

Unique Pageviews
The number of visits during which one or more of these pages was viewed.

Unique Pageviews

18,596

% of Site Total: 100.00%

Avg. Time on Page
The average amount of time visitors spent viewing this set of pages or page.

Avg. Time on Page

00:02:34

Site Avg: 00:02:34 (0.00%)

Bounce Rate
The percentage of single page visits resulting from this set of pages or page.

Bounce Rate

69.72%

Site Avg: 69.72% (0.00%)

% Exit
The percentage of site exits that occurred from this set of pages or page.

% Exit

49.84%

Site Avg: 49.84% (0.00%)

$ Index
The average value of this page or set of pages. $Index is (Ecommerce revenue + Total Goal Value) divided by Pageviews for the page(s).

$ Index

$0.00

Site Avg: $0.00 (0.00%)

Unique Pageviews
Avg. Time on Page
Bounce Rate
% Exit
$ Index
  Page Title
None

Pageviews
1. 5,712 2,674 00:02:49 28.13% 27.10% $0.00
2. 774 509 00:02:09 45.54% 37.47% $0.00
3. 274 194 00:02:35 62.50% 61.68% $0.00
4. 238 191 00:02:33 77.89% 78.99% $0.00
5. 229 221 00:06:24 92.27% 95.20% $0.00
6. 227 212 00:03:31 94.34% 92.07% $0.00
7. 209 153 00:00:09 69.28% 73.21% $0.00
8. 174 164 00:02:37 93.25% 91.38% $0.00
9. 165 90 00:01:12 46.15% 36.97% $0.00
10. 152 128 00:02:11 82.00% 48.68% $0.00
11. 150 144 00:04:05 90.97% 90.67% $0.00
12. 146 144 00:01:49 95.14% 95.21% $0.00
13. 138 132 00:03:22 95.24% 90.58% $0.00
14. 136 122 00:05:49 82.98% 72.79% $0.00
15. 123 36 00:00:09 28.57% 4.88% $0.00
16. 122 118 00:02:37 93.81% 94.26% $0.00
17. 122 106 00:05:59 87.76% 83.61% $0.00
18. 118 40 00:01:01 100.00% 14.41% $0.00
19. 118 94 00:00:45 32.31% 26.27% $0.00
20. 118 99 00:00:53 75.27% 73.73% $0.00
21. 116 111 00:03:27 95.50% 95.69% $0.00
22. 116 95 00:04:34 66.10% 57.76% $0.00
23. 111 99 00:03:41 85.71% 86.49% $0.00
24. 110 76 00:02:07 50.00% 37.27% $0.00
25. 105 99 00:03:19 93.94% 93.33% $0.00
26. 104 57 00:04:18 58.33% 28.85% $0.00
27. 102 78 00:02:26 55.56% 50.00% $0.00
28. 102 71 00:00:41 60.00% 29.41% $0.00
29. 101 91 00:01:10 13.75% 27.72% $0.00
30. 98 90 00:02:41 87.64% 88.78% $0.00
Continue reading SWI – Top 300 Page Views over the last 60 days

March 25, 2010

To Allow Comments or Not To Allow Comments?

Yesterday, one of our contributing writers posted an article with a “Comments Are Closed” tag on it.  Quite frankly, I did not know this option was available to our contributors and wanted to weigh in on this subject.

There was a time when I almost begged for comments.  Our site is improving in this [...]

March 15, 2010

To Self Pub, to POD, or to Not Self Pub or Not POD -..That is the Debate

To Self Pub, to POD, or to Not Self Pub or Not POD -..That is the Debate

My Guest Today is here for a DEBATE.  PA Brown’s Bio is at the END of this blog.

The question we are taking up today has complicated answers.  It involves writers deciding to self publish and/or working with a POD publisher.  Does publishing one’s own work have a horrible stigma attached to it, and has it spilled over into stigmatizing POD publishing as well? In short do agents, editors, readers, and many a writer confuse the two methods of publishing and is the stigma warranted or not, and in a world of labeling and assuming the worst…in a world where appearances are more important than reality, does it matter or help if an author has to stop and explain the difference between self publising and Print on Demand  Publising even to organizaions and witers groups?

To get at this complicated issue, I asked author PA Brown if she would kindly allow me to debate her over these issues as PA or Pat recently posted her feelings and impressions of what happens to an author who publishes in the manner of self publication (without separating out POD and other legit methods of publishing).  Below you find Brown vs. Walker in a friendly but firm banter over these issues.  At bottom too find PA Brown’s brief bio and a url where you can locate many titles with PA Brown on the cover..

Question in the main: does producing a self-published version help or harm an aspiring writer find
 a legitimate publisher? Continue reading To Self Pub, to POD, or to Not Self Pub or Not POD -..That is the Debate

March 14, 2010

Interview by Sara Bond of UCLA Extension Writers Program with Instructor Tantra Bensko about Experimental Fiction

TB: Experimental Fiction is Literary, with a goal towards an artistic presentation of the subject in a unique way. And in any innovative literature, especially the more experimental it is, a big part of the “subject” actually IS the presentation. The WAY it is conveyed can be exciting, and the structure itself, for example, can imply something about the nature of reality, communication, the self, so many things. . . . [...]

March 14, 2010

Thank you, Sally

 

My sister Sally is a few years older (and a few eons wiser) than me, and she was off and married to the man of her dreams when I was only five.

I used to go round a lot to Sally and Philip’s house – a habit I haven’t particularly broken although I have lived in a different country for the last eight years, and at the other end of the same country for the previous thirty. The hospitality is invariably magnificent there.

Sally has many passions, mostly falling under the headings of either art or charity. She helped set up NADFAS (The National Association of Decorative & Fine Arts Societies) in the region where she lives and spent a year as the Chair for the society nationally, she is a superlative interior and garden designer, she reads about one hundred books a year (we calculated) and she is a devoted and highly skilled cook too. Continue reading Thank you, Sally

March 14, 2010

Background to Monday Afternoon

Stephen Sangirardi Bard715@aol.com Background to Monday Afternoon      Asked to write some information about how I came to write my novel, I must be very frank about three things. Two years ago, my friend and the Editor of Wild Leaf Press, Bill Hunter, gave me some advice about writing a novel. Bill said [...]

March 14, 2010

Simmering a Book in a Year w/setbacks & backdrops & Dialoguing It

Setbacks can end forward progress on a writing project but it is not the mistakes and missteps that define us but how we react to them; overcoming the loss of 75 pages is the topic of the ongoing Cook a Book in a Year gauntlet I have thrown down at http://ning.it/aRjND4 Also the contest [...]

March 8, 2010

Steve Sangirardi’s novel Monday Afternoon published by Night Reading

 Hi—this is Steve Sangirardi, and I’ll try to be as terse as possible. When I retired from Clarke last year, I felt a guilty void that I converted into writing. Miraculously, I found a publisher for my novel, Monday Afternoon: Night Reading, located in the UK. Night Reading is featured on its website and [...]

March 4, 2010

An African Love Story: When Love came calling (Part One)

She noticed him staring at her through the window. Uncomfortably, she shifted. First on one foot, then the other, as she dizzyingly became aware of his intense scrutiny. Boss lady was coming any time soon and if she found this stranger staring at her through her precious shop windows, she would throw a fit. Suddenly angry at the brazen look this man was giving her, she turned to give him a reproachful glance of her own and mouthed the words “Rude. Rude to stare.” The man only smiled in return, a self –assured grin that maddened her only more. She saw him shrug nonchalantly and before she could take her next breath, realized that he was coming into the shop…heading straight for her. She stiffened.
“Come over here.” She suddenly heard Boss-lady scream at her from somewhere in the midst of the stacked boxes that lay by the corner.
“Yes ma.” She replied with alacrity, her reverie broken by the commanding tone of her Boss.
“Why do you never listen, Anwasia?” the fat lady bellowed at her employee, her jowls shaking with violence, which really was her normal look any given day.
“Yes ma.” The other one replied questioningly.
Boss-lady hissed in derision. “I keep telling you not to stack these boxes here. But do you listen? No. You don’t listen. You must stand there, by the counter, dreaming away your life. Other girls your age are getting married, but for you, no. You are lost in your own world. You are a disgrace, I tell you. A huge disgrace.”
“Yes ma.” She replied unfeelingly. This was the order of the day: Boss lady telling her how she was nothing but a no-good.
“Carry them boxes over there, stupid girl.” Continue reading An African Love Story: When Love came calling (Part One)

February 28, 2010

SWI – Total List of Countries visiting SWI over the last 60 days

Visits

11,511

% of Site Total: 100.00%

Pages/Visit
The average number of pages viewed during a visit to your site. Repeated views of a single page are counted.

Pages/Visit

2.34

Site Avg: 2.34 (0.00%)

Avg. Time on Site
The average duration of a visit to your site.

Avg. Time on Site

00:03:09

Site Avg: 00:03:09 (0.00%)

% New Visits
The percentage of visits by people who had never visited your site before.

% New Visits

65.83%

Site Avg: 65.81% (0.04%)

Bounce Rate
The percentage of single-page visits (i.e. visits in which the person left your site from the entrance page).

Bounce Rate

66.88%

Site Avg: 66.88% (0.00%)

 
Detail Level:
Country/Territory

Visits
Pages/Visit
Avg. Time on Site
% New Visits
Bounce Rate
1. 8,009 2.63 00:03:54 57.70% 61.58%
2. 747 1.56 00:01:12 74.16% 81.39%
3. 511 1.30 00:00:42 96.09% 87.67%
4. 429 2.02 00:02:09 89.74% 73.66%
5. 165 1.79 00:01:09 84.85% 79.39%
6. 128 5.13 00:08:03 27.34% 23.44%
7. 123 1.33 00:00:46 95.93% 82.93%
8. 103 2.42 00:05:59 76.70% 72.82%
9. 81 1.27 00:00:50 92.59% 87.65%
10. 50 2.64 00:02:04 62.00% 34.00%
11. 49 2.22 00:01:41 89.80% 83.67%
12. 48 1.19 00:00:32 89.58% 87.50%
13. 44 1.20 00:00:14 100.00% 86.36%
14. 42 1.52 00:00:53 95.24% 76.19%
15. 41 1.20 00:00:20 95.12% 82.93%
16. 40 1.10 00:00:06 97.50% 92.50%
17. 37 1.11 00:00:19 100.00% 89.19%
18. 37 1.49 00:00:32 86.49% 72.97%
19. 32 1.22 00:01:42 87.50% 87.50%
20. 29 1.86 00:01:19 Continue reading SWI – Total List of Countries visiting SWI over the last 60 days

February 28, 2010

SWI – Top 500 Page Views over the last 60 days

Pageviews

26,981

% of Site Total: 100.00%

Unique Pageviews

18,950

% of Site Total: 100.00%

Avg. Time on Page

00:02:21

Site Avg: 00:02:21 (0.00%)

Bounce Rate

66.89%

Site Avg: 66.89% (0.00%)

% Exit

42.66%

Site Avg: 42.66% (0.00%)

$ Index

$0.00

Site Avg: $0.00 (0.00%)

  Page Title
None

Pageviews
Unique Pageviews
Avg. Time on Page
Bounce Rate
% Exit
$ Index
1. 7,184 3,136 00:02:36 29.72% 25.71% $0.00
2. 674 427 00:02:27 38.57% 33.53% $0.00
3. 430 168 00:00:47 40.21% 22.33% $0.00
4. 336 69 00:00:07 7.14% 2.38% $0.00
5. 231 163 00:02:48 61.25% 61.47% $0.00
6. 217 172 00:02:22 75.58% 77.88% $0.00
7. 209 181 00:06:03 84.96% 66.51% $0.00
8. 203 155 00:00:44 67.18% 62.07% $0.00
9. 201 151 00:00:09 74.17% 75.12% $0.00
10. 198 182 00:03:50 92.82% 90.40% $0.00
11. 194 179 00:02:46 90.91% 89.18% $0.00
12. 188 182 00:05:03 93.41% 95.74% $0.00
13. 183 120 00:00:36 36.00% 26.78% $0.00
14. 179 155 00:03:00 83.64% 48.04% $0.00
15. 156 56 00:01:33 87.50% 19.87% $0.00
16. 148 144 00:04:11 96.45% 93.92% $0.00
17. 145 84 00:00:32 51.61% 22.07% $0.00
18. 126 112 00:05:43 82.76% 71.43% $0.00
19. 123 120 00:01:37 95.83% 95.93% $0.00
20. 122 20 Continue reading SWI – Top 500 Page Views over the last 60 days

February 25, 2010

An Invitation to Writers

We first put our site on the Internet in December 2008 – since then we have had over 110,000 viewers visit our site.  We extend an invitation to all writers to become contributors.  If you are interested please reply to SpeakWithoutInterruption@gmail.com and let us know the type of writings [...]

February 25, 2010

The World Turned Upside Down

I don’t want to say that I live in a bizarre world but you see I reside in a town called Topsy Turvy in the country of Before. My name is Todd and I live on a small farm with my parents and my grandfather. I go to school and am proud to be at the bottom of my class. I reside in a small town with just a few neighbors way back in the country of Before. In my small town we do things a bit different than most. You see, when we plant corn, it grows underground. We have to pull it up with corn pickers when it is time to harvest. The carrots grow above ground and the watermelons are red on the outside and green on the inside. All of the people in our little town walk on their hands and when they meet on the street, they shake feet. Even our babies scoot on their backs rather than crawl on their knees. Our faucets point up and our drinking fountains down. Our school desks are on the ceilings, which of course makes seeing that much better since the lights are there.

On this wonderfully rainy morning, I stopped by the butchers on my way to school to give my mother’s shopping list to Mr. Fritz.

“Hello Todd. On your way to school I see,” greeted Mr. Fritz as he stood at the counter loading it with fresh bacon. “Is that your mother’s list for me?”

“Yes sir. Mom will be by later after she finishes making the pineapple right-side-up cake for the county bake sale.”

As I was about to leave, gabby Mrs. Gray walked in snooping for gossip. Continue reading The World Turned Upside Down

February 24, 2010

Universal Suffering

Stephen Sangirardi    Universal Suffering     Bard715@aol.com
 
   Last night for the tenth time I watched Schindler’s List, arguably the most important film ever made. There is that incredibly poignant scene at the end when ‘Herr Direktor,’ played by Liam Neeson, is presented the ring of life with the inscription from the Talmud etched inside. “He who saves one life saves the world entire.” The Direktor breaks down because he feels he didn’t do enough to save more people, when as it is he has saved a thousand Jews from the gas chambers. He laments all the money he had squandered on fancy suits and fast cars and frivolous evenings. There is that special music playing in the background to accompany his fall to the ground. Ben Kingsley and the other Jews assure Oskar Schindler as he cries that he did so much, so much to save the people come to honor him at that moment at the end of the war. The point of that scene, which I had showed over the years to a number of classes, could not be clearer: no matter how good you are, no matter how much you do for other people, you could have always done more and done better. No one can be content when the inventory is taken about how serviceable he or she was to other human beings. You can never do enough. It’s not the shots you made or the students you reached; it’s the shots you didn’t make and the students you didn’t reach, the nights when you didn‘t feel like talking to that depressed friend on the phone or in person. There is always reason for humility when it comes to our service to humanity. No one ever does enough. Something tells me that Jesus felt the same way when he hung on the cross. Continue reading Universal Suffering

February 14, 2010

Julia & Julia Type Journal for Cooking up a Gritty Suspense or Mystery Novel by Robert W. Walker

Julia & Julia Type Journal for Cooking up a Gritty Suspense or Mystery Novel by Robert W. Walker

At Dirty Deeds Done Dirt Cheap, yes, you can follow me as I blog on the progress and success or failure of putting together my 50th novel. Without a contract, written on speculation only in my head and faith in the material and myself—I am keeping a dairy-type Journal about the process of crafting the novel.

This is like getting a creative writing course from Professor Walker. Follow me as I write a Suspense Novel Before Your Eyes, and no matter what category or genre you are working in, there is so much you can pick up from following this process. Imagine if you had the opportunity to look in over the shoulder of a veteran author and watch his hand at work. There can be no better classroom, and you are not limited in asking questions or offering comments. Continue reading Julia & Julia Type Journal for Cooking up a Gritty Suspense or Mystery Novel by Robert W. Walker

February 11, 2010

Where Do the Words Go When a Writer Dies?

Yesterday as I took advantage of the weather and watched movies while the snow piled up outside I received a call that one of the more senior members of the Harlem Writers Guild had died. It was a shock because we assumed he didn’t make the last meeting because he usually went dancing the first Wednesday of every month. Unbeknownst to us by the time of the meeting he had been dead for two days. And while the sadness of his passing clings to me there is also the thought that we will never have his written words again. Continue reading Where Do the Words Go When a Writer Dies?

February 11, 2010

The SWI Question of the Day (2-11-10)

Complete this sentence – If I did not have the freedom to write I would…………

We welcome your thoughts and comments.

February 4, 2010

What is a Writer?

What is a Writer?  Is is someone who has been trained as one or someone who believes they are one?  Is is someone who uses big words and knows proper grammar or is it someone who writes the way they feel with spelling and grammatical errors?  Is it someone who has published books, articles, [...]

February 4, 2010

Experimental Fiction Writing ---Classes Online Are Now Available

Serious literary writing from the time Modernism came onto the scene with WW1 has been primarily made up of shattering of narrative elements. Time itself is broken and collaged, structure is collapsed, cause and effect can go out the window, the novel can parody itself suddenly, dialogue can be absurdist, and characters can become flattened so we don’t see them as warm humans that we care about in a personal sense at all, or they can be impossible and contradictory, and the whole novel can be self-reflexive, playing on the artifice. The world being perceived as so shattered and irrational now, literary writers can feel it inaccurate to portray it as being unified, going along in a reliable, cohesive manner full of meaning. [...]

February 4, 2010

The SWI Question of the Day (2-4-10)

What is the future of print media and literature?  What is the future of this type of printed material that you can hold in your hand and physically turn the pages?

We welcome your thoughts and comments.

February 2, 2010

My “Extreme Interest” in having Chinese Writers contribute to our SWI Site

I have had both a personal, and business, relationship with China – and its people – since 2003.  I have written articles – posted to our site – regarding China and have made it no secret regarding my extreme interest in having contributors, from China, post their articles to our site.  I am excited [...]

February 1, 2010

The attack of the alien multi-media book snatchers

 

It is hard to believe sitting here today, but in 2-3 years’ time paper books simply won’t exist.

I love paper books. Specifically, I love paperbacks. As they say about Toblerone, never eat a sweet that hurts you – so I am not so fond of hardbacks as being uncomfortable and often painful to hold. But paperbacks ……

As with many authors, I read my own books about 30 times – 28 times electronically, and a couple of times in paperback. The first twenty-eight times are OK, except that even I get bored of my books eventually. However, the 29th (final correction) and 30th times are heaven. It is a completely different experience reading a book in paperback. As Steve Sangirardi is always keen to point out, it is the difference between the menu and the meal. Reading about the sensation of eating chocolate is one thing; actually eating it for the first time is another.

Nevertheless, in 2-3 years’ time paperbacks will be gone – almost completely – vanished like an old oak table [don’t you mean ‘varnished’ – ed? For the rest of this reference, see the TV series Blackadder III]. New technology takeover is often catastrophic. It is like the Monty Python running man – sprinting away but no closer – sprinting away but no closer – sprinting away but no closer – past you. Continue reading The attack of the alien multi-media book snatchers

February 1, 2010

February 2010 (Content by Title – Previous 12 Months)

Below are the results – from Google Analytics – for our SWI site showing the Top 200 pages visited over the past 12 months:

Pageviews

128,896

% of Site Total:

100.00%

Unique Pageviews
The number of visits during which one or more of these pages was viewed.

Unique Pageviews

90,609

% of Site Total: 100.00%

Avg. Time on Page
The average amount of time visitors spent viewing this set of pages or page.

Avg. Time on Page

00:02:45

Site Avg: 00:02:45 (0.00%)

Bounce Rate
The percentage of single page visits resulting from this set of pages or page.

Bounce Rate

64.67%

Site Avg: 64.67% (0.00%)

% Exit
The percentage of site exits that occurred from this set of pages or page.

% Exit

41.61%

Site Avg: 41.61% (0.00%)

$ Index
The average value of this page or set of pages. $Index is (Ecommerce revenue + Total Goal Value) divided by Pageviews for the page(s).

$ Index

$0.00

Site Avg: $0.00 (0.00%)

  Page Title
None

Pageviews
Unique Pageviews
Avg. Time on Page
Bounce Rate
% Exit
$ Index
1. 27,232 12,904 00:03:16 34.71% 26.68% $0.00
2. 19,101 9,877 00:02:57 38.13% 28.75% $0.00
3. 943 588 00:03:31 52.07% 33.40% $0.00
4. 692 550 00:01:24 45.71% 21.82% $0.00
5. 655 595 00:02:53 89.15% 83.97% $0.00
6. 633 178 00:00:17 7.32% 6.48% $0.00
7. 625 502 00:01:45 66.04% 64.48% $0.00
8. 610 272 00:00:56 44.85% 26.72% $0.00
9. 499 410 00:01:34 54.84% 27.86% $0.00
10. 414 329 00:01:51 75.00% 26.09% $0.00 Continue reading February 2010 (Content by Title – Previous 12 Months)

February 1, 2010

Book clubs – change literary history

We have just set up a book readers’ and writers’ site to bring everyone together to discuss books.

Our slogan is “Every book must be published” and, with developments in print-on-demand and e-tablets (Apple, Kindle etc.), they will be.

This site – Night Reading – was conceived last Thursday and kicked off last Friday. [...]

January 30, 2010

Night Reading - Day 1 report

With huge thanks to Bob Grant of SWI for publicising our new venture to help writers find their audiences, and vice-versa, here is our report on the first day.

Bruce Essar and I (both SWI contributors) took the concept of Night Reading from conception to execution in a few hours, and the first day has proven extremely promising – 31 members and 16 posts / first chapters.

This is an experiment and although we know what we want to achieve and how we want to achieve it, we don’t know whether the formula will allow us to get there or not. We are seeking a triumph of faith and optimism over cynicism and despair, and so far the signs are that we may even all win.

What we want is a kind of revolution in publishing and we are following D.H. Lawrence’s dictum that if we are going to have a revolution, we are going to have it for fun (a seriously fun guy, that D.H.). Continue reading Night Reading – Day 1 report

January 29, 2010

Introducing 'Night Reading'

SWI is pleased to announce ‘Night Reading’ – a publishing opportunity for not only our own SWI contributors but to all writers who are interested in getting their works published.  Below is this initial announcement from our contributors Tim Roux and Bruce Essar:

Bruce Essar and I invite you to join our new Ning [...]

January 26, 2010

'Monday Afternoon' by Steve Sangirardi

Angelo Aiello is a New York, Italian Roman Catholic – very New York, very Italian and more Roman Catholic than makes any pragmatic sense nowadays.

He has a wife whom he dreads, a thirteen year old daughter whom he reciprocally adores, and a vengeful, jealous God that he fears (but we know all about that one around here).

Over fifteen years of marriage, his wife, Alice, has learnt to be outraged by Angelo’s jealousy, wounded by his lack of sympathy for her nervous breakdown after her sister died of AIDS, to despise his writing, and to resent the fact that he earns the least of any male in her family, plumbers and electricians included (well, they would be).

He in his turn feels unheard and under-appreciated, regretting that all that he was taught to value in his childhood and undergraduate days has been set at nought during his marriage, while his wife’s plimsoll line attests to her sinking deeper into the cookie jar as every year goes by until she resembles a sack of Orioles. Continue reading ‘Monday Afternoon’ by Steve Sangirardi

January 16, 2010

Stuart Aken Reviews Murder at Oakwood Grange by Avril Field-Taylor

Sherlock Holmes fans will love this. Written in the style of Conan Doyle, so well that the reader is not aware it isn’t one of his stories, the novel follows Sherlock and Doctor Watson as they take on a seemingly simple case of murder. However, it quickly becomes clear that this is anything but straightforward.

Doctor Watson narrates, and acts, as he helps the famous sleuth to track down clues in this complex crime mystery. Avril Field-Taylor has done her research and takes the reader on a journey which is so well constructed that it is like watching a film of events play out. Set in Devon, Hull and London, with Buckingham Palace playing a role, the story moves rapidly with the trains and Handsome cabs that propel the protagonists through the convoluted plot. The railway stations, backstreets, country houses and, of course, Baker Street, are all described so well that the reader feels at home with them.

The action brings in Mycroft, Sherlock’s brilliant but mysterious brother, the professionally jealous Lestrade from Scotland Yard, the Hellfire Club and Sherlock’s arch-enemy, Moriarty, in a plot which twists and turns without ever losing credibility. The damsel in distress is beautifully drawn and turns out to have more courage and good sense than initially expected, so that the reader really cares about her fate. Watson’s love and concern for Mary, his wife, is very well depicted. And Mrs Hudson gets an unexpected shock when Baker Street is attacked. Continue reading Stuart Aken Reviews Murder at Oakwood Grange by Avril Field-Taylor

January 14, 2010

Stuart Aken’s Review of Seer’s Moon by Karen Wolfe

Seer’s Moon is Karen Wolfe’s second fantasy novel centring on the unusual activities of Granny Beamish and her cronies. With its mixture of comic style and supernatural content, the book had me smiling, chuckling and laughing out loud; much to the consternation of my fellow travellers. The story, or at least the main thread, follows the fate of poor Kenneth who has inadvertently become a werewolf and is being chased by a sinister bounty hunter. Granny Beamish and her friends, family and associates, who have some sympathy with the vegetarian Kenneth and his harmless, if somewhat destructive, werewolf alter ego, do their best to prevent his capture and execution. The incompetent local police, an interfering busybody and a creepy, ambitious member of Granny’s Seer community all provide the necessary conflict. Meanwhile, Granny has to contend with the advances of her ex boyfriend, who jilted her, as he tries to win her back.

Seers, for those who are unsure, are members of a parallel community who use telepathy and certain types of magic; it isn’t wise for a normal human to mess with an accomplished Seer, especially one with the gifts possessed by Granny Beamish.

Karen Wolfe writes in a style of her own; colloquially and with a type of humour that touches my laughter muscles. This is a very English novel in many ways and some of the language and references may be lost on readers from outside. But there is so much that is universal in appeal that this association with Englishness acts as an enhancement, giving the book a quirky character that should appeal to readers of all nationalities. And, talking of ‘quirky’ this is the way her characters come across. All are individual, even the dogs, wolf, griffons and other animals, and especially the rampaging sheep. Her people have flaws as well as positive attributes and all of them are very human, sometimes touching and always hilarious, often in ways that completely escape the characters themselves. Continue reading Stuart Aken’s Review of Seer’s Moon by Karen Wolfe

December 24, 2009

SpeakWithoutInterruption – Review of our First Year

It has been a little over a year since our Online Magazine was first operational.  Over that period we have had almost 2,000 posts from over 85 writers who have made at least one contribution.  We have had over 85,000 viewers visit our site in the same time period.  We have lost writers – [...]

December 18, 2009

An Invitation to All Writers “Outside” the USA

Our Online Magazine was started in December 2008.  Since then we have had visitors to our site that represent 165 countries.  Although we have a few contributing writers – outside the U.S. – we “very much” want more.  Many, many, many more!  If you come to our site from outside the USA – and would like to become a [...]

December 17, 2009

The shock of the new

I know that many writers decry the state of the publishing industry, but for me it is in better health than it has ever been.

As a writer you have a choice:

• do you want to produce erudite work which addresses a relatively small audience of cognoscenti?

or

• do you want to make a stack of money writing what sells?

There are very few writers who manage to square this circle and for most of us to confuse these two questions is to cause ourselves chronic misery. Erudite work will rarely sell to the mass market; work designed for the mass market will rarely appeal to the erudite. That is my guess, although reading children’s literature where its authors increasingly manage to conquer two entirely different audiences equally and simultaneously, is maybe to recognise that a new raft of talented writers will emerge to feed challenging work to the mass market. Continue reading The shock of the new

December 16, 2009

Review of 'Seers' by Karen Wolfe

Ever since the publication of ‘The Philosopher’s Stone’, I have been troubled by a niggling concern. It doesn’t keep me awake at night but I do regularly accost strangers and ask them “Whatever happened to Harry Potter’s grandparents?”.

Harry Potter was a baby when his parents were killed. His parents look like they were in their twenties, max. thirties. He should have had four of them in this age of increasing longevity. Where did they all go? I don’t remember Hagrid telling Harry “’arry, that Voldemort killed your grandparents, you know”, although I may have missed that page among three thousand and some. Still, nobody has any grandparents in Harry Potter, except Longbottom, and his gran is just plain scary.

Few share my concerns and I usually get sent out to make a nice cup of Yorkshire Tea to stop me hassling the guests with bothersome questions. Continue reading Review of ‘Seers’ by Karen Wolfe

December 14, 2009

Is this the new Dan Brown or just the Second Coming?

Scott Pack, the Head Buyer of Waterstones, once famously boomed “Who on earth could care less what Tim Adams of The Observer thinks about anything?”, his point being that upmarket critical opinion was no indicator of sales potential except perhaps by way of negative correlation (‘the more the praise, the less the sales’). No, what Scott was looking for was the next Dan Brown not an up-and-coming literary stylist.

He upset many an author and many a ‘quality’ journalist (not least Tim Adams), but he was right. Waterstones is not there to parlay up the elitist literary taste of the public. It is there to sell things – like coffee and cake, a few books, and Scott Pack.

As it happens, I have had a few dealings with Waterstones in Hull, UK, and they have been great – really supportive of local Hull & East Riding artists. Rich Sutherland, who is about to become a published author himself with a collection of short stories called ‘The Unitary Authority of Ersatz’, was my main contact before he left for Hull Truck, and he even agreed to come out on a stormy Sunday lunchtime to set up a Waterstones stall for free to back my promotional event. Waterstones in Hull also harbours Peter Knaggs, a rather fine poet, and the even more excellent editor of ‘The Slab’ series of contemporary verse which are the best collections of poetry I have ever come across for their variety, freshness and energy – and consequently very hard to find. Continue reading Is this the new Dan Brown or just the Second Coming?

December 12, 2009

Reviewers - The Bigger, The Bagger and The Bugger

I have read enough reviews in my time, and even written enough, to come up with a Saturday morning categorisation of the art of reviewing. You, no doubt, can identify some far more insightful and incisive categories of your own, in which case feel free to do so below or in a responding article.

The tragedy of reviewing – any reviewing – for me is that God may be omnipresent and omniscient, but He doesn’t write reviews. So, in His estimable absence, we are stuck with the three lesser gods who do – the Bigger, the Bagger and the Bugger – although not necessarily in that order.

The Bagger frolics energetically and joyfully amid a relatively new category. S/he can be male or female (from now on everyone will be referred to as ‘he’) but his defining feature is speed. He takes some care over the craft of reviewing, but much less over the effort of reading, and virtually none over the trouble of understanding. Reading at the average rate of one page every thirty seconds (he reads one book a day – do the maths on a 500 page novel, leaving him enough time to compose the review as well), he is going to come to much the same conclusion as Woody Allen when he speed-read ‘War & Peace’ – “It’s about Russia”. Any subtlety of expression, construction or psychology will whizz right on by, a mere tickle to his mind if noticed at all. ‘Good reads’ get good reviews, multi-layered symbolic or allegorical novels get merely scratched at the surface. Bag the book and move on. I even know one reviewer who copies and pastes his remarks from one book review to the next. That really is an economic and efficient process he has there. Continue reading Reviewers – The Bigger, The Bagger and The Bugger

December 9, 2009

WHAT is so MYSTERIOUS about VOICE & Point of View in the Novel?

WHAT is so MYSTERIOUS about VOICE & Point of View in the Novel?
                                 by Robert W. Walker
 
 
I cannot tell you the number of times I have read someone saying that Voice is the most mysterious element of the writing process, and that it is not teachable but so nebulous as t be as fleeting as a butterfly.  Well I never bought it but I urge you to get hold of a book that clarifies this mystery and can solve it for you.
 
The absolute best discussion I have ever seen in print about POV and Voice and the difference between them and the variants and nuances was in a now out of print, terrific little book by Jerome Stern entitled Making Shapely Fiction. You cannot do better than to read the sections of this book on this topic.  That said, let me give you a for instance. If I write a cop procedural book, an ME serial killer book, or a PI book each will have a separate VOICE whether I choose to use the first person or third person to tell the story with; whether I choose to have it narrated by one of the characters or by a separate narrative voice.
 
In a novel, you are making thousands of choices in all the hundreds of sentences the entire way through and major among them is your choice of POV and your choice of narrative voice.  They may intersect and overlap if you choose your main character to tell his or her story. If you choose the more distanced narrative voice and that voice is not your main character or any other character in the story but a more “omni” voice then your story will sound an entirely entirely different voice.  Just as I chose there to repeat entirely, I made a conscious decision to emphasize that word in that clumsy manner; I might better have chosen to italics it or bold it, and so it is with Voice. Continue reading WHAT is so MYSTERIOUS about VOICE & Point of View in the Novel?

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